ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Scenes of Witchcraft: Morning
    Salvator Rosa. Scenes of Witchcraft: Morning, c. 1645–49. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009155

    Scenes of Witchcraft: Morning

    by Salvator Rosa

    Also known as: Scene with Witches: Morning; Witches Scenes

    View at the Cleveland Museum of Art

    About the Artwork

    Rosa's first scene depicts a young witch who plunges her knife into a writhing amphibian at dawn. The dark clouds of daybreak and anthropomorphic crags provide a gloomy atmosphere, while malevolent birds with piercing beaks hover around the central stabbing, focusing the viewer's attention on the witch's vicious act. The only beautiful enchantress Rosa ever painted, her elegance and ability to transform men into animals evokes the goddess Circe. But Rosa wasn't interested in classical imagery; he inverted expectations by transforming Circe into an explicitly violent sorceress. Her calm expression makes the terrifying gesture of upraised human hands among the birds even more disturbing.

    Inscriptions

    Signed: "SR [monogram]"

    Provenance

    Niccolini Family (Florence, Italy) by 1657 Private collection (Florence, Italy) Heim Gallery (London, England), sold to the Cleveland Museum of Art, 1977.

    Exhibition history

    Hot Dry Men, Cold Wet Women: The Theory of Humor and Depictions of Men and Women in Western European Art of the 1600s. Joslyn Art Museum, Omaha, NE (September 13-November 2, 1997); Arkansas Museum of Fine Arts, Little Rock, AR (November 20, 1997-February 6, 1998); John and Mable Ringling Museum of Art, Sarasota, FL (February 27-April 24, 1998). Salvator Rosa (1615-1673): Bandits, Wilderness, and Magic. Kimbell Art Museum, Fort Worth, TX (organizer) (December 12, 2010-March 27, 2011). The Novel and the Bizarre: Salvator Rosa’s Scenes of Witchcraft. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 15-June 14, 2015).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Salvator Rosa (Italian, 1615–1673)
    Date
    c. 1645–49
    Medium
    oil on canvas
    Dimensions
    Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1977.37.1

    More by Salvator Rosa in museum collections

    • Polycrates and the Fisherman

      Salvator Rosa

      1664 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000982
    • Polycrates' Crucifixion

      Salvator Rosa

      1664 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000983
    • Man Mounting Lion

      Salvator Rosa

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004185
    • Three Soldiers Resting

      Salvator Rosa

      1656/57 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005737

    Open-access museum record · AT-00009155

    Powered by Art Trackers