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    Museum collections / The Cleveland Museum of Art
    Scenes of Witchcraft: Day
    Salvator Rosa. Scenes of Witchcraft: Day, c. 1645–49. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009170

    Scenes of Witchcraft: Day

    by Salvator Rosa

    Also known as: Scene with Witches: Day; Witches Scenes

    View at the Cleveland Museum of Art

    About the Artwork

    Rosa's scene at noon showcases several hoary hags that exemplify his treatment of witches. Clutching skulls, wielding brooms, and slicing lizards, the witches prepare to travel to the Sabbath, an orgy of witches. One witch flays the skin of a thrashing lizard to extract the innards needed to concoct magical unguents, while her companions brandish skulls. Goats were the common mode of transportation for witches, but Rosa substitutes an owl, a harbinger of evil. Although Rosa foregrounds the violent cruelty of witchcraft, situating the grotesque hags in the full light of day introduces a comic aspect to the scene. Rosa's use of comedy and the unexpected to critique the world around him stemmed from the satirical poetry he wrote throughout his stay in Florence and his return to Rome in 1649. By lightening the palette and mood of the painting, Day reflects his interest in satire and his self-appointed role to expose and critique human folly.

    Inscriptions

    Signed: "SR [monogram]"

    Provenance

    Family of the Marchese Giovanni Niccolini, Florence; [Heim Gallery, London]. Purchase from the J. H. Wade Fund, 1977.

    Exhibition history

    Salvator Rosa (1615-1673): Bandits, Wilderness, and Magic. Kimbell Art Museum, Fort Worth, TX (organizer) (December 12, 2010-March 27, 2011). The Novel and the Bizarre: Salvator Rosa’s Scenes of Witchcraft. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 15-June 14, 2015).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Salvator Rosa (Italian, 1615–1673)
    Date
    c. 1645–49
    Medium
    oil on canvas
    Dimensions
    Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1977.37.2

    More by Salvator Rosa in museum collections

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      AT-00000982
    • Polycrates' Crucifixion

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      Public collection via the Art Institute of Chicago

      AT-00000983
    • Man Mounting Lion

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      Public collection via the Art Institute of Chicago

      AT-00004185
    • Three Soldiers Resting

      Salvator Rosa

      1656/57 · Drawing

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      AT-00005737

    Open-access museum record · AT-00009170

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